Category Archives: singer

Women Marching For Justice

womenstxIt has been a week since women and men and children all over the world took to the street demanding justice and equity. Reportedly , On January 21, there were 673 Sister Marches all over cities in the USA, the largest in Washington, DC,  as well as the rest of the World, including Africa, the Caribbean and Latin America.

I participated in the Women March in St Croix, USVI, led by a group of women with about 4 thousand participants. In good St Croix fashion, the participants were multicultural, and the event include blowing the Tutu  –the conch shell horn, music, dancing, singers, speeches, recitation of poetry reflecting the diverse range of this community.

womenempoweredadisaWhy were women marching?  What did they hope to achieve?

It was a call to action, a call to unify against the current US President who appears to want to turn back the clock.  It signals the forging of  alliances across lines of race, gender and sexual identification, and was a demonstration of the willingness of those individuals who want to ensure justice for all.

Above all it was a hopeful and positive event that made it clear that many people understand their self-agency and will not sit back and allow their rights nor the rights of others that many died for, be overridden.

frontwmarchingadisa17 At the end of this positive and moving event, several women took the mic and said what they were marching for, and central of course was for their grandchildren and the future generations so that they will have a voice, but also for able-bodied and physically challenged people, for Muslins and religious freedom, for the right of gays to marry, for women’s right to own their bodies, for democracy, for freedom. I was marching to say thanks to my ancestors for taking us this for and to end child abuse and domestic violence.

Although we were each marching for different causes , the common denominator was our humanity and the continuation of all our basic rights as people to live as we choose as long as we do no harm to others.

I am positive and optimistic that this movement has just begun world wide, and women who have held up and continue to hold up much more than half the sky/world, will truly rise up and take our rightful place in a feminist/womanist manner that will heal the world and bring compassion and mindfulness to all we do, and how we nurture the world.

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SHOLA: LOST MYSELF, A JAMERICAN, New Sound

 

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OPA: Your first, awaited album, Lost Myself drops today. Congratulations.  How does it feel?

SAF: I am happy. I am proud. I am excited to know what people think, and to see where this project takes me

OPA: You wrote some of the songs on the album. Why did you go that route as oppose to just doing all jazz standards?

SAF: When Florian and I started working together we began by pure improvisation in his studio and exploring the sound we created together, ultimately leading us to produce original music. It is important for me to create something new, not just “redo or remix” something that has already been done. Also I wanted to mark this collaboration, capture this period in time with music that was personal us, music that came from us.

OPA: One of my favorite songs of yours, “Just You (Suspicious),” written for Trayvon Martin is not on the album.  Why was that song omitted?

SAF: This album is a collaboration between myself and Florian Pellissier Quintet, so all of the original songs were composed or co-composed by Florian. “Just You” however was created with another producer a few years back, so it didn’t fit into the concept of this album but I am still exploring ways to release that song and include it on other projects.

OPA: I happen to know that since your were about ten years old Josephine Baker was one of your heroines, and similar to her, you now seem to be living your dream of music in Paris.  Do you feel as if you are walking in her footsteps, that her spirit is guiding you?

SAF: I don’t necessarily feel as though I am walking in her footsteps as my career trajectory is different, but I do feel as though I’m benefiting from and walking proudly on the path that she and other singers, musicians and performers paved almost a century before my arrival to Paris. When I am in certain neighborhoods in Paris, I do feel the spirit of Jimmy (James Baldwin), Josephine (Baker) and Bricktop (Ida “Bricktop” Smith) and I imagine that some of the feelings and experiences they had once upon a time here, I feel at points too. It’s empowering to know that such incredible figures were able to find their wings in Paris. Being in Paris has definitely imbued me with newfound confidence and a sense of freedom.

OPA: Since World World II many African Americans have found haven in Paris as artists, in all genres. Would you say that Paris still offers that respite for African Americans to pursue and excel in the arts?

SAF: Yes, I believe it does, for a variety of reasons.

OPA.  Have you always wanted to sing, and what has prepared you for this moment, this album?

SAF: I’ve been singing since I was 8 years old, and though there have been many times when I was afraid to share my voice publicly and lacked the confidence to do so, singing is something that I have always loved. What has prepared me to enter this new chapter in my life is my perseverance to see this album through to fruition, my love of and respect for music and my passion to create. In addition I have studied others people’s careers development  and in some instances worked with emerging artists, so I feel as though I have a sense of what to expect, the unexpected.  I am a new artist, but I’m not new to the music industry.

OPA: You are a Ja-Merican. Although you were born and reared in Oakland, Ca, your maternal Jamaican heritage has been strong and lasting, and you spent a great deal of time in Jamaica when you were growing up. How has Jamaica impacted your development as an artist, and your sense of self?

SAF: It’s funny: my older cousins who recently came to visit me in Paris and who grew up in Jamaica, in Spanish Town, told me of one of their first memories of meeting me when I was a young girl in Jamaica. They said when I talked to them about what foods I liked to eat at the time, ackee n salt fish, stewed peas and rice and dumpling…they thought “ey ey aye ah who dis Yankee girl talkin bout stew peas n dumpling.” It was at this moment they realized that even though I was born in California that my Jamaica-ness was very much present and evident. This is obviously due to my mother who is a griot, really, and who makes it her business to collect our family history and to infuse her children with as much family culture and Jamaican traditions as she knows and practices. So this is a part of my identity that I like to celebrate and of course music is so important to Jamaica and Jamaicans that if I can use some of the Mento/ Reggae/ Soca / Dancehall elements in my music it’s a great pleasure for me to do so. In fact two of the songs on the album make references to my Jamaican background, “Blue Chords” and “What A Night.” The latter was inspired by a song taught to me as a child, “Linstead Market” and I decided to use the “what a night” lyric of this Jamaican folk song and flip the meaning on its head…

OPA: Does this album represent your voice, or are you still developing/finding your way to what might be considered your “true” voice?

SAF: Being that this album was created over a span of two years, my inspiration and my awareness of myself as an artist evolved. This album definitely does capture my voice, though during its teenage years, still trying to find and step fully into its identity, its true self and I am still working to further develop my authentic sound. Right now I can describe my music as a mix of jazz, Soul and reggae in order to create music that feels good, is poetic and is honest in describing aspects of human emotion and situations: conflict and struggle, joy and angst, curiosity and discovery.

OPA: Who are some of the artists who have influenced your development as a singer/artist?

SAF: Nina Simone and Ella Fitzgerald for sure. And of course many others…

OPA: So what’s next?  Are you ready to work on another album?

SAF: I am definitely ready to work on another album and I’ve been thinking of ideas for the next project: beginning collaborations with different artists and producers to continue developing my sound and creating new music. Simultaneously, I would love to tour within France and abroad to grow my fan base and connect with people through music.

OPA: When will you be touring the USA and the Caribbean?

SAF: Hopefully very soon.

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Shola’s website is www.sholajoy.com
Like Shola’s Facebook page at: www.facebook.com/SholaAdisaFarrar

Here is a link to another interview with Shola:  http://www.southernworldartsnews.blogspot.fr/2016/04/singer-shola-adisa-farrar-drawing-on.html